Game Programming Video Tutorials by Pluralsight – 103 Hours
Here is a collection of over 103 hours of premium video tutorials on Game Programming by Pluralsight. In order to view the videos, you need to become a member of Pluralsight.
Background: Game Programming is the software development of video games. It is a subset of game development. Game programming requires a lot of expertise in software engineering. It also usually involves specialization in one or more of these areas: artificial intelligence, audio programming, computer graphics, simulation, physics, and input. When creating multiplayer online games, other areas, such as network programming and database programming are often needed.
Game Programming
| Series | Title | Date | Presenter | Min |
|---|---|---|---|---|
| ‘Daydreamer’ Production Pipeline Volume 7: Compositing | ‘Daydreamer’ Production Pipeline Volume 7: Compositing | 11/13/2015 | Laura Hawk | 162 |
| Compositing with Multi-channel OpenEXR Files in After Effects | Compositing with Multi-channel OpenEXR Files in After Effects | 11/3/2015 | Evan Clarke James | 28 |
| Changing Seasons in After Effects and Photoshop | Changing Seasons in After Effects and Photoshop | 10/21/2015 | Evan Clarke James | 57 |
| Creating an Alien Helmet in V-Ray for Maya and NUKE | Creating an Alien Helmet in V-Ray for Maya and NUKE | 10/12/2015 | Lars Wemmje | 101 |
| Creating a 3D Shot with a 2D Photo in After Effects and Photoshop | Creating a 3D Shot with a 2D Photo in After Effects and Photoshop | 10/7/2015 | Evan Clarke James | 33 |
| Creating the Illusion of Aged Footage in After Effects | Creating the Illusion of Aged Footage in After Effects | 9/16/2015 | Alex Hernandez | 47 |
| Sci-fi Digital Makeup Using Facial Tracking in After Effects | Sci-fi Digital Makeup Using Facial Tracking in After Effects | 9/13/2015 | Evan Clarke James | 65 |
| Linear Workflow in After Effects | Linear Workflow in After Effects | 9/8/2015 | Evan Clarke James | 48 |
| Building a Realistic Aerial Forest Scene in 3ds Max | Building a Realistic Aerial Forest Scene in 3ds Max | 8/19/2015 | Ashish Dani | 140 |
| Deep Compositing Techniques in V-Ray and NUKE | Deep Compositing Techniques in V-Ray and NUKE | 8/17/2015 | Matt Skonicki | 168 |
| Distorting Nature in After Effects | Distorting Nature in After Effects | 8/13/2015 | Evan Clarke James | 55 |
| Applying Post-Production Techniques in SilhouetteFX | Applying Post-Production Techniques in SilhouetteFX | 7/25/2015 | Alexander Costa | 371 |
| Short Film Compositing Techniques in NUKE | Short Film Compositing Techniques in NUKE | 7/24/2015 | Abhimanyu Tanwar | 221 |
| Fiery Skin Effects in NUKEX | Fiery Skin Effects in NUKEX | 7/22/2015 | Laura Hawk | 116 |
| Advanced Clean Plate Techniques in NUKE | Advanced Clean Plate Techniques in NUKE | 7/19/2015 | Melissa Best | 134 |
| Introduction to Trapcode Lux in After Effects | Introduction to Trapcode Lux in After Effects | 7/4/2015 | Evan Clarke James | 34 |
| Creating a Live Action Composite from Various Elements in NUKE | Creating a Live Action Composite from Various Elements in NUKE | 6/30/2015 | Sean Amlaner | 136 |
| Multi-Part Greenscreen Keying in After Effects CC 2014 | Multi-Part Greenscreen Keying in After Effects CC 2014 | 6/11/2015 | Evan Clarke James | 81 |
| Creating a Futuristic Set Extension in NUKE | Creating a Futuristic Set Extension in NUKE | 5/21/2015 | Matt Skonicki | 184 |
| Innovative Uses for Masks and Mattes in After Effects | Innovative Uses for Masks and Mattes in After Effects | 5/14/2015 | Laura Hawk | 92 |
| Compositing a Live-action Matte Painting in NUKE and Photoshop | Compositing a Live-action Matte Painting in NUKE and Photoshop | 4/21/2015 | Sean Amlaner | 227 |
| Compositing a Machine Gun Turret in CINEMA 4D and After Effects | Compositing a Machine Gun Turret in CINEMA 4D and After Effects | 3/6/2015 | Andy Lefton | 114 |
| Utilizing Advanced Shading Techniques Using V-Ray in Maya | Utilizing Advanced Shading Techniques Using V-Ray in Maya | 2/2/2015 | Miguel Delosrios | 203 |
| Creating an Illustrated Title Sequence in Photoshop and After Effects | Creating an Illustrated Title Sequence in Photoshop and After Effects | 2/1/2015 | Alex Hernandez | 85 |
| Compositing a Hovercraft Landing in CINEMA 4D and NUKE | Compositing a Hovercraft Landing in CINEMA 4D and NUKE | 1/26/2015 | Matt Skonicki | 170 |
| Compositing a Desolate Ocean Landscape in Photoshop and NUKE | Compositing a Desolate Ocean Landscape in Photoshop and NUKE | 1/11/2015 | Sean Amlaner | 150 |
| Using Advanced Compositing Tools in After Effects | Using Advanced Compositing Tools in After Effects | 12/31/2014 | Michael Raphaelovich | 66 |
| Your First Day in NUKE Studio | Your First Day in NUKE Studio | 12/31/2014 | Laura Hawk | 263 |
| Creating a Meteor VFX Shot in After Effects | Creating a Meteor VFX Shot in After Effects | 12/2/2014 | Dan LeFebvre | 102 |
| Lighting a Scene for Feature Film with V-Ray in Maya | Lighting a Scene for Feature Film with V-Ray in Maya | 11/24/2014 | Clifford Otomi Green | 102 |
| Creating an Animated Paper Folding Effect in Maya | Creating an Animated Paper Folding Effect in Maya | 11/20/2014 | Christopher Sosa | 152 |
| Stereo Conversion from a 2D Movie to 3D Masterpiece in NUKE | Stereo Conversion from a 2D Movie to 3D Masterpiece in NUKE | 11/15/2014 | Sean Amlaner | 131 |
| Creating a High-Speed Camera Effect with After Effects | Creating a High-Speed Camera Effect with After Effects | 11/8/2014 | Alex Hernandez | 103 |
| Deep Compositing an Alien Invasion in NUKE and Arnold | Deep Compositing an Alien Invasion in NUKE and Arnold | 10/21/2014 | Matt Skonicki | 174 |
| Simulating a Dry Ice Effect in Maya | Simulating a Dry Ice Effect in Maya | 10/16/2014 | Pankaj Malik | 87 |
| Integrating Titles and Graphics into Footage in After Effects | Integrating Titles and Graphics into Footage in After Effects | 9/19/2014 | Alex Hernandez | 93 |
| Retouching a Professional Live Action Shot in MochaImport+ and NUKE | Retouching a Professional Live Action Shot in MochaImport+ and NUKE | 9/13/2014 | Lars Wemmje | 79 |
| Your First Day in PFTrack | Your First Day in PFTrack | 9/1/2014 | Michael Raphaelovich | 96 |
| Unlocking the Power of the Roto Brush Tool in After Effects | Unlocking the Power of the Roto Brush Tool in After Effects | 8/3/2014 | Laura Hawk | 94 |
| Quick Start to NUKE: Volume 3 | Quick Start to NUKE: Volume 3 | 7/23/2014 | Laura Hawk | 214 |
| Advanced Production Techniques in 3DEqualizer and NUKE | Advanced Production Techniques in 3DEqualizer and NUKE | 7/16/2014 | Philip Maddock | 89 |
| Creating a Refracting Liquid UI in After Effects and Maya | Creating a Refracting Liquid UI in After Effects and Maya | 5/19/2014 | James Whiffin | 141 |
| Product and Packaging Visualization in CINEMA 4D and After Effects | Product and Packaging Visualization in CINEMA 4D and After Effects | 5/8/2014 | Laura Hawk | 209 |
| Clean Plating for Feature Films Using the NUKE to MARI Bridge | Clean Plating for Feature Films Using the NUKE to MARI Bridge | 4/28/2014 | Doug Hogan | 87 |
| Quick Start to NUKE: Volume 2 | Quick Start to NUKE: Volume 2 | 3/31/2014 | Laura Hawk | 176 |
| Quick Start to NUKE: Volume 1 | Quick Start to NUKE: Volume 1 | 3/23/2014 | Laura Hawk | 78 |
| Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini | Compositing a 3D Ogre into a Live Action Scene in NUKE and Houdini | 3/9/2014 | Matt Skonicki | 301 |
| Creating an Abstract Forest Entity Using KRAKATOA in Maya and Fusion | Creating an Abstract Forest Entity Using KRAKATOA in Maya and Fusion | 3/2/2014 | Terry Riyasat | 94 |
| Tracking in After Effects | Tracking in After Effects | 2/5/2014 | Laura Hawk | 82 |
| Rotoscoping in After Effects | Rotoscoping in After Effects | 1/30/2014 | Laura Hawk | 76 |
| Designing Elegant Product Visualizations in CINEMA 4D & After Effects | Designing Elegant Product Visualizations in CINEMA 4D & After Effects | 1/26/2014 | Laura Hawk | 470 |
| Using ICE to Create a Holographic Display in Softimage | Using ICE to Create a Holographic Display in Softimage | 1/20/2014 | Francis St-Denis | 164 |
| Rigging and Animating a Simple Character in After Effects | Rigging and Animating a Simple Character in After Effects | 12/30/2013 | Kori Valz | 98 |
| Introduction to After Effects for Compositors | Introduction to After Effects for Compositors | 12/16/2013 | Laura Hawk | 307 |
| New Features in NUKE 8.0 | New Features in NUKE 8.0 | 12/5/2013 | Laura Hawk | 63 |
| Compositing an Animated Set Extension in NUKEX | Compositing an Animated Set Extension in NUKEX | 11/25/2013 | Alexander Eriksson | 421 |
| Compositing 3D Text and Live Action with CINEWARE in After Effects and CINEMA 4D | Compositing 3D Text and Live Action with CINEWARE in After Effects and CINEMA 4D | 11/4/2013 | Laura Hawk | 145 |
| Getting Started with CINEWARE in After Effects | Getting Started with CINEWARE in After Effects | 10/7/2013 | Laura Hawk | 172 |
| Getting Started with the RotoPaint Node in NUKE | Getting Started with the RotoPaint Node in NUKE | 9/30/2013 | Laura Hawk | 117 |
| Getting Started with Particles in NUKEX | Getting Started with Particles in NUKEX | 9/16/2013 | Laura Hawk | 104 |
| Quick Start to After Effects: Volume 5 | Quick Start to After Effects: Volume 5 | 9/16/2013 | Laura Hawk | 60 |
| Compositing Decay into Architectural Footage in After Effects | Compositing Decay into Architectural Footage in After Effects | 9/9/2013 | Andy Lefton | 99 |
| Integrating 3D Titles into Footage in NUKEX | Integrating 3D Titles into Footage in NUKEX | 9/2/2013 | Laura Hawk | 81 |
| Creating a 3D Scene with a 2D Image in NUKEX | Creating a 3D Scene with a 2D Image in NUKEX | 8/19/2013 | Laura Hawk | 99 |
| Compositing a Futuristic Street Scene in NUKEX | Compositing a Futuristic Street Scene in NUKEX | 8/5/2013 | Angelo White | 89 |
| Multi-Channel Compositing in NUKE | Multi-Channel Compositing in NUKE | 8/5/2013 | Laura Hawk | 92 |
| Your First Day of Rotoscoping in NUKE | Your First Day of Rotoscoping in NUKE | 7/29/2013 | Laura Hawk | 89 |
| Advanced Compositing Techniques in NUKE: Space Scene | Advanced Compositing Techniques in NUKE: Space Scene | 7/22/2013 | Doug Hogan | 98 |
| Introduction to Channels in NUKE | Introduction to Channels in NUKE | 7/15/2013 | Laura Hawk | 71 |
| Your First Day of Tracking in NUKE | Your First Day of Tracking in NUKE | 7/8/2013 | Laura Hawk | 102 |
| Getting Started with NUKE | Getting Started with NUKE | 7/1/2013 | Laura Hawk | 145 |
| Bringing a Still Image to Life Using Projection Man in CINEMA 4D | Bringing a Still Image to Life Using Projection Man in CINEMA 4D | 6/17/2013 | Andy Lefton | 220 |
| Overcoming Tracking and Graphics Integration Issues in After Effects | Overcoming Tracking and Graphics Integration Issues in After Effects | 6/17/2013 | Laura Hawk | 188 |
| 3D Integration and Relighting in NUKE | 3D Integration and Relighting in NUKE | 6/3/2013 | Miguel Delosrios | 174 |
| Animating and Compositing Futuristic Menus in After Effects | Animating and Compositing Futuristic Menus in After Effects | 4/22/2013 | Laura Hawk | 498 |
| Compositing a Teleportation Effect in After Effects | Compositing a Teleportation Effect in After Effects | 4/15/2013 | Brad Groatman | 175 |
| Photorealistic Camera Lens Effects in After Effects | Photorealistic Camera Lens Effects in After Effects | 4/8/2013 | Laura Hawk | 166 |
| Ray-tracing with Typography in After Effects | Ray-tracing with Typography in After Effects | 3/4/2013 | Laura Hawk | 221 |
| Creating Fire and Smoke using Maya Fluid Effects | Creating Fire and Smoke using Maya Fluid Effects | 2/25/2013 | Pankaj Malik | 98 |
| Artist’s Guide to Smoke 2013 | Artist’s Guide to Smoke 2013 | 2/4/2013 | Chris Glick | 107 |
| New Features in NUKE 7.0 | New Features in NUKE 7.0 | 1/14/2013 | Chris Glick | 55 |
| Compositing a Lunar Environment in After Effects and Maya | Compositing a Lunar Environment in After Effects and Maya | 1/1/2013 | James Whiffin | 186 |
| Compositing an Animated Poster with Live Footage in After Effects | Compositing an Animated Poster with Live Footage in After Effects | 1/1/2013 | Laura Hawk | 166 |
| ./I>”>Destroying Urban Environments in NUKEX | ./I>”>Destroying Urban Environments in NUKEX | 12/1/2012 | Angelo White | 154 |
| Animated Turntable Techniques in ZBrush and After Effects | Animated Turntable Techniques in ZBrush and After Effects | 10/1/2012 | Brad Groatman | 205 |
| Facial Tracking in 3DEqualizer and Maya | Facial Tracking in 3DEqualizer and Maya | 8/1/2012 | Jean-Michel Bihorel | 118 |
| Destruction Compositing Techniques in NUKEX | Destruction Compositing Techniques in NUKEX | 7/1/2012 | Angelo White | 147 |
| NUKE Gizmos for Guerrilla Production | NUKE Gizmos for Guerrilla Production | 6/1/2012 | Ed Whetstone | 162 |
| Rotoscoping Techniques in NUKE | Rotoscoping Techniques in NUKE | 5/1/2012 | Chris Glick | 115 |
| CG101: Compositing | CG101: Compositing | 4/16/2012 | Papa Georgio | 46 |
| Realistic Compositing in Fusion | Realistic Compositing in Fusion | 4/1/2012 | Terry Riyasat | 111 |
| Transforming Robot Production Pipeline Volume 10: Compositing | Transforming Robot Production Pipeline Volume 10: Compositing | 4/1/2012 | Chris Glick | 273 |
| Photorealistic Time-lapse Animation and Rendering in Maya and MODO | Photorealistic Time-lapse Animation and Rendering in Maya and MODO | 1/2/2012 | Martin Mayer | 156 |
| 10 Ways to Work Faster in NUKE | 10 Ways to Work Faster in NUKE | 11/1/2011 | Chris Glick | 74 |
| Tornado Particle Effects in 3ds Max and FumeFX | Tornado Particle Effects in 3ds Max and FumeFX | 11/1/2011 | Matt Radford | 106 |
| 10 Tips and Tricks for Compositing 3D Renders in Maya and NUKE | 10 Tips and Tricks for Compositing 3D Renders in Maya and NUKE | 10/3/2011 | Chris Glick | 79 |
| Guerrilla Compositing Tactics in Maya and NUKE | Guerrilla Compositing Tactics in Maya and NUKE | 10/3/2011 | Ed Whetstone | 137 |
| New Features in NUKE 6.3v1 and NUKEX 6.3v1 | New Features in NUKE 6.3v1 and NUKEX 6.3v1 | 10/3/2011 | Chris Glick | 74 |
| What’s New in After Effects CS5.5 | What’s New in After Effects CS5.5 | 9/2/2011 | Chris Glick | 80 |
| 3D Pan and Tile Sky Replacement in NUKE | 3D Pan and Tile Sky Replacement in NUKE | 8/2/2011 | Chris Glick | 88 |
| Ask DTs in Composite | Ask DTs in Composite | 7/2/2011 | Dan LeFebvre | 27 |
| NUKE Node Reference Library: Transform | NUKE Node Reference Library: Transform | 7/2/2011 | Chris Glick | 332 |
| ‘Infiltrator’ Production Pipeline Volume 7: Compositing in NUKE | ‘Infiltrator’ Production Pipeline Volume 7: Compositing in NUKE | 6/1/2011 | Chris Glick | 283 |
| Beginner’s Guide to Composite | Beginner’s Guide to Composite | 4/4/2011 | Chris Glick | 65 |
| Beginner’s Guide to NUKE | Beginner’s Guide to NUKE | 3/1/2011 | Chris Glick | 67 |
| Image-Based Keyer in NUKE | Image-Based Keyer in NUKE | 2/1/2011 | Chris Glick | 68 |
| Multi-part Greenscreen Keying in Composite | Multi-part Greenscreen Keying in Composite | 2/1/2011 | Chris Glick | 69 |
| Multi-part Greenscreen Keying in After Effects CS5 | Multi-part Greenscreen Keying in After Effects CS5 | 1/3/2011 | Chris Glick | 61 |
| Multi-part Greenscreen Keying in NUKE | Multi-part Greenscreen Keying in NUKE | 1/3/2011 | Chris Glick | 72 |
| Object Tracking in MatchMover and After Effects | Object Tracking in MatchMover and After Effects | 1/3/2011 | Chris Glick | 99 |
| Object Tracking in MatchMover and Composite | Object Tracking in MatchMover and Composite | 1/3/2011 | Chris Glick | 101 |
| Keying Greenscreens in Composite | Keying Greenscreens in Composite | 12/1/2010 | Chris Glick | 75 |
| Keying Greenscreens in NUKE | Keying Greenscreens in NUKE | 12/1/2010 | Chris Glick | 66 |
| Object Tracking in MatchMover and NUKE | Object Tracking in MatchMover and NUKE | 12/1/2010 | Chris Glick | 107 |
| Integrating Titles into Footage in Composite | Integrating Titles into Footage in Composite | 10/31/2010 | Chris Glick | 84 |
| Integrating Titles into Footage in NUKE | Integrating Titles into Footage in NUKE | 10/31/2010 | Chris Glick | 62 |
| Integrating Titles with Footage in After Effects | Integrating Titles with Footage in After Effects | 10/31/2010 | Chris Glick | 58 |
| ‘Infiltrator’ Production Pipeline Volume 4: Match Moving | ‘Infiltrator’ Production Pipeline Volume 4: Match Moving | 8/4/2010 | Chris Glick | 155 |
| ‘Infiltrator’ Production Pipeline Volume 7: Compositing in Composite | ‘Infiltrator’ Production Pipeline Volume 7: Compositing in Composite | 8/4/2010 | Chris Glick | 270 |
| Depth-Based Compositing in After Effects | Depth-Based Compositing in After Effects | 8/4/2010 | Chris Glick | 28 |
| Depth-Based Compositing in Composite | Depth-Based Compositing in Composite | 8/4/2010 | Chris Glick | 39 |
| Depth-Based Compositing in NUKE | Depth-Based Compositing in NUKE | 8/4/2010 | Chris Glick | 36 |
| Introduction to 2.5D Relighting in NUKE | Introduction to 2.5D Relighting in NUKE | 8/4/2010 | Chris Glick | 101 |
| Match Moving and Compositing Pipeline in Maya and Composite | Match Moving and Compositing Pipeline in Maya and Composite | 8/4/2010 | Chris Glick | 572 |
| Match Moving and Compositing Pipeline in Maya and NUKE | Match Moving and Compositing Pipeline in Maya and NUKE | 8/4/2010 | Chris Glick | 570 |
| Getting Started with NUKE 6 | Getting Started with NUKE 6 | 6/1/2010 | Chris Glick | 82 |
| Advanced Stereo Workflows in After Effects: Disparity | Advanced Stereo Workflows in After Effects: Disparity | 5/3/2010 | Chris Glick | 74 |
| Advanced Stereo Workflows in Toxik: Disparity | Advanced Stereo Workflows in Toxik: Disparity | 5/3/2010 | Chris Glick | 58 |
| Compositing Stereoscopic Images in After Effects | Compositing Stereoscopic Images in After Effects | 5/3/2010 | Chris Glick | 61 |
| Compositing Stereoscopic Images in Toxik | Compositing Stereoscopic Images in Toxik | 5/3/2010 | Chris Glick | 44 |
| Compositing Tips and Tricks in NUKE | Compositing Tips and Tricks in NUKE | 4/2/2010 | Chris Glick | 27 |
| Tips and Tricks in MatchMover | Tips and Tricks in MatchMover | 4/2/2010 | Chris Glick | 50 |
| Advanced Stereo Workflows in NUKE: Disparity | Advanced Stereo Workflows in NUKE: Disparity | 4/1/2010 | Chris Glick | 69 |
| Compositing 3D into Video in Maya and After Effects | Compositing 3D into Video in Maya and After Effects | 4/1/2010 | Chris Glick | 143 |
| Compositing 3D into Video in Maya and NUKE | Compositing 3D into Video in Maya and NUKE | 4/1/2010 | Chris Glick | 165 |
| Compositing 3D into Video in Maya and Toxik | Compositing 3D into Video in Maya and Toxik | 4/1/2010 | Chris Glick | 137 |
| Compositing Stereoscopic Images in NUKE | Compositing Stereoscopic Images in NUKE | 4/1/2010 | Chris Glick | 71 |
| 3D Rotation with Trackers and Trigonometry in NUKE | 3D Rotation with Trackers and Trigonometry in NUKE | 2/18/2010 | Chris Glick | 143 |
| Compositing 2D Elements in Toxik | Compositing 2D Elements in Toxik | 2/18/2010 | Chris Glick | 91 |
| Compositing 2D Elements with Footage in After Effects | Compositing 2D Elements with Footage in After Effects | 2/18/2010 | Chris Glick | 83 |
| NUKE Node Reference Library: Channels | NUKE Node Reference Library: Channels | 2/18/2010 | Chris Glick | 29 |
| Rotoscoping Techniques in After Effects | Rotoscoping Techniques in After Effects | 2/18/2010 | Chris Glick | 81 |
| Introduction to 3D in NUKE | Introduction to 3D in NUKE | 1/28/2010 | Chris Glick | 65 |
| Rotoscoping Techniques in NUKE 5.2 | Rotoscoping Techniques in NUKE 5.2 | 1/21/2010 | Chris Glick | 86 |
| Introduction to Rotoscoping in Fusion | Introduction to Rotoscoping in Fusion | 1/14/2010 | Chris Glick | 60 |
| Introduction to Rotoscoping in After Effects | Introduction to Rotoscoping in After Effects | 1/7/2010 | Chris Glick | 63 |
| Introduction to Rotoscoping in Toxik | Introduction to Rotoscoping in Toxik | 12/31/2009 | Chris Glick | 49 |
| Introduction to Rotoscoping in NUKE 5 | Introduction to Rotoscoping in NUKE 5 | 12/24/2009 | Chris Glick | 59 |
| Advanced Compositing Workflows in Maya and After Effects | Advanced Compositing Workflows in Maya and After Effects | 12/17/2009 | Chris Glick | 149 |
| Advanced Compositing Workflows in Maya and Fusion | Advanced Compositing Workflows in Maya and Fusion | 12/10/2009 | Chris Glick | 222 |
| Using Tracking and Matte Layers in mocha | Using Tracking and Matte Layers in mocha | 12/3/2009 | Chris Glick | 56 |
| Advanced Compositing Workflows in Maya and Toxik | Advanced Compositing Workflows in Maya and Toxik | 11/15/2009 | Chris Glick | 153 |
| Advanced Compositing Workflows in Maya and NUKE | Advanced Compositing Workflows in Maya and NUKE | 11/4/2009 | Chris Glick | 139 |
| Getting Started with Toxik 2010 | Getting Started with Toxik 2010 | 11/4/2009 | Chris Glick | 83 |
| Introduction to Tracking in Toxik | Introduction to Tracking in Toxik | 10/22/2009 | Chris Glick | 43 |
| Compositing 3D Renders in Toxik | Compositing 3D Renders in Toxik | 10/15/2009 | Chris Glick | 76 |
| Introduction to Tracking in NUKE 5 | Introduction to Tracking in NUKE 5 | 10/15/2009 | Chris Glick | 51 |
| Compositing 3D Renders in Fusion | Compositing 3D Renders in Fusion | 10/8/2009 | Chris Glick | 59 |
| Compositing 3D Renders in After Effects | Compositing 3D Renders in After Effects | 10/1/2009 | Chris Glick | 74 |
| Toxik Node Reference Library: Channel and Stream Nodes | Toxik Node Reference Library: Channel and Stream Nodes | 10/1/2009 | Chris Glick | 26 |
| Fusion Node Reference Library: Composite | Fusion Node Reference Library: Composite | 9/24/2009 | Chris Glick | 49 |
| Fusion Node Reference Library: Blur | Fusion Node Reference Library: Blur | 9/10/2009 | Chris Glick | 54 |
| Toxik Node Reference Library: Filtering Nodes | Toxik Node Reference Library: Filtering Nodes | 9/10/2009 | Chris Glick | 94 |
| Getting Started with NUKE 5 | Getting Started with NUKE 5 | 9/3/2009 | Chris Glick | 67 |
| Toxik Node Reference Library: Utilities Nodes | Toxik Node Reference Library: Utilities Nodes | 8/26/2009 | Chris Glick | 33 |
| Artist’s Guide to Fusion | Artist’s Guide to Fusion | 8/4/2009 | Chris Glick | 60 |
| Compositing Rendered Passes in the Softimage FX Tree | Compositing Rendered Passes in the Softimage FX Tree | 8/4/2009 | Kyle Green | 21 |
| Getting Started with Toxik 2009 | Getting Started with Toxik 2009 | 8/4/2009 | Chris Glick | 71 |
| Toxik Node Reference Library: Transform Nodes | Toxik Node Reference Library: Transform Nodes | 8/4/2009 | Chris Glick | 49 |
| Stereoscopic 3D in After Effects | Stereoscopic 3D in After Effects | 2/13/2009 | Papa Georgio | 170 |
| Compositing Tips and Tricks in Composite | Compositing Tips and Tricks in Composite | 12/1/2008 | Papa Georgio | 30 |
| Compositing Tips and Tricks in Fusion | Compositing Tips and Tricks in Fusion | 12/1/2008 | Chris Glick | 67 |
| Total | 20929 |
